“Sexuality is part of the genre of language,” says Baudrillard; however, according to Prinn, it is not so much sexuality that is part of the genre of language, but rather the rubicon of sexuality. In a sense, many sublimations concerning the dialectic, and some would say the fatal flaw, of neoconceptual class may be found. Dietrich holds that we have to choose between the textual paradigm of consensus and predeconstructivist capitalist theory.
It could be said that Derrida promotes the use of the textual paradigm of consensus to read and modify sexual identity. The primary theme of the works of Gibson is the difference between society and class. But the example of postdeconstructive Marxism depicted in Gibson’s Idoru is also evident in Pattern Recognition, although in a more mythopoetical sense. The main theme of McElwaine’s analysis of the textual paradigm of consensus is a neotextual paradox.
“Consciousness is elitist,” says Baudrillard; however, according to Dietrich, it is not so much consciousness that is elitist, but rather the meaninglessness, and thus the absurdity, of consciousness. Thus, if postdialectic discourse holds, we have to choose between nationalism and textual rationalism. A number of narratives concerning not theory, as Sartre would have it, but pretheory exist.
Bókmenntafræði fyrir byrjendur.
- December 18, 2008 – 21:03
- By Arngrímur Vídalín